music là gì

No longer was music's dependence on immediate sensations a drawback or a shortcoming, but rather the source of its strength and expressive power.

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Thoughtfully creative, performed responses require thorough familiarity with the music's structures, devices and processes.

Towards the close there is a good point on the refocusing of the older view that music's function was moral persuasion.

A second consequence follows from music's transcendence of conceptual meaning.

Which musics ought vĩ đại be the subject of one's study?

In this study, those memories that stayed vĩ đại adult life were indeed characterized by factors such as community, atmosphere and music's ability vĩ đại arouse feelings.

Thus, even when the orchestra is involved in more turbulent episodes, it is the vocal element which is largely responsible for the music's dramatic nội dung.

I fell under this music's spell many years ago and have long thought that this movement in particular should be much better known.

The composer invites a variety of performers of western and non-western instruments vĩ đại participate in her work, making the music's message a universal one.

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Schools with large representations of different ethnic groups often cannot address the musics of each adequately.

I should add that music's artificiality is a great asset here.

The first is the way of the ambitious "singing soul for music's sake".

Furthermore, there is obviously a tendency vĩ đại begin the more 'official' historiography of marginal musics with more ephemeral truyền thông media than vãn the printed word.

Why should this depreciate music's status, artistic quality or any other pedagogically important matter?

One must ask if there is more tokenism than vãn substance in the inclusion of world musics in curricula in both schools and in higher education.